The Immortal Men #3



ImmortalMen3-minMany of this publication’s audience probably strongly related to Caden Park’s predicament when he awakes at the start of this comic from what the teenager clearly hoped had been a fevered nightmare in which he’d seen his murdered parents transformed into multi-fanged bestial killers. For whilst James Tynion IV’s script undeniably contains plenty of exposition concerning its plethora of cast members, most notably a condensed origin of Ghost Fist and an intriguing indication as to the complex relationship between former friends Reload and the Hunt, it also disconcertingly contains very little in the way of action, plot progression or escape…

Indeed, arguably all this twenty-page periodical provided its readers in June 2018 was a seemingly endless series of dialogue-heavy diatribes, which whilst occasionally interesting, such as Roderick Clay’s miraculous transportation into the near future, increasingly gets ‘bogged down’ with weighty word balloon after cram-packed text box. Frustratingly, to make matters worse for the optics though, a large portion of these conversations don’t even use the same font or colour scheme, and doubtless caused any perusing bibliophile to painfully squint at the ghastly red on black background speeches of The Batman Who Laughs or the Infinite Woman’s merging mix of orange upon orange…

Even Patrick Kowalski’s incarceration within the Siege holding cell suffers as a result of Carlos M. Mangual’s diabolical lettering, and scimitar-wielding gaoler’s purple-pigmented stylised font. True, it’s easy to understand the basic message behind the scene considering that their ‘flashback’ to soldiering in Vietnam shoulder-to-shoulder appears so very similar to the history behind “Marvel Worldwide” characters Wolverine and Sabretooth. But even so, it still takes something of a patient eye to slowly wade through all of its lengthy discourse; “If we don’t stoke the fire of the Eternal War now, they won’t be able to fight when it counts. Saving the World is no longer a future endeavour. It must happen now.”

Unfortunately, little solace can debatably be taken from the pencilling on show within Issue Three of “The Immortal Men”, despite Ryan Benjamin clearly trying to adopt every storyboarding trick in the book to try and liven up its sedentary-paced narrative. Irregular-size panels, single splashes, letter-box sequences and double-page layouts are all utilised by the American artist in an effort to imbue this title’s figures with some dynamism, yet nothing can seemingly save Tynion IV’s lack-lustre “Bloodless” penmanship.

This article is the opinion of the author and does not represent the views of the site owner.


Reviewed by
For the past forty or so years I have been collecting American comics… To begin with they were predominantly black and white British reprints of “Marvel Comics Group” titles such as “Spider-Man Comics Weekly”, “The Mighty World of Marvel” and “Star Wars Weekly”; all six to ten pence editions I could store away under my bed in a large cardboard box. As a result though I was introduced to the teenage angst of Peter Parker, the discovery of a frozen Captain America by Earth's Mightiest Heroes, witnessed the dreadful rage of Doctor Bruce Banner, and even travelled to a galaxy far far away... Later I would be able to afford actual America colour comic books and supplemented my collection of “Marvel” titles such as “Conan the Barbarian”, “Howard the Duck” and “Captain America” with some “DC Comics” issues of “Batman”, “Green Lantern” and “Captain Carrot and his Amazing Zoo Crew”. There would even be time for Independent publications such as “Wildcats”, “Spawn” and “The Authority”. These days however I must admit to yearning back to the simpler times of Stan Lee and Jack Kirby, back to when both artwork and storylines were straightforward, easy to follow and super-heroes were just starting out on their adventures. A time when no-one had yet to be resurrected from the dead for the fourth time. I've written over seven hundred comic book reviews on my blog over the past few years, with them usually following my latest purchases, all wrapped up in a large brown paper bag, as well as occasional ‘flashbacks’ to some of the classic "Golden Age" issues I already own…

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