Moon Knight #192



MoonKnight192-minIf there’s one thing which Max Bemis’ narrative for Issue One Hundred And Ninety Two of “Moon Knight” undeniably delivers, it is one of the best fight-scenes the Fist of Khonshu has been involved in since Warren Ellis’ “Scarlet” storyline was published way back in September 2014. Indeed, the five-page long sense-shattering sequence is arguably worth the cover price of this comic alone, as Marc Spector’s alter-ego initially busies himself simply biting Bushman’s hand, before becoming a physical whirlwind of devastation upon a crew of “disabled” criminals and ultimately severs a couple of the bald Burundan mercenary’s fingers; “You want to play pirates? Yo $%#& ho, mateys… I’m not one of those super heroes who won’t straight-up kill you, Bushman.”

Sadly however, this flurry of fisticuffs is arguably all the New York-born lead singer’s script had to offer its slowly declining 20,923-strong audience in February 2018, apart from some simply bizarre conversational pieces between a curiously ‘zombified’ Jean-Paul “Frenchie” DuChamp, a strangely therapeutic Truth, and a disturbingly polite Sun King, who, with his shades and casually open white shirt, would seem more suited to life as a Travel Agents’ representative than a living vessel of “the Egyptian sun god Ra”. Of course, this comic also contains the utterly surreal suggestion that if Moon Knight hadn’t been such a “bad, bad boy” he could have become a Herald of Galactus, the basis for a ‘mutant-loving’ series of Sentinels, or the very ‘voice of reason’ which somehow scientifically convinced Reed Richards not to undertake his ill-fated starship journey. But it’s extremely doubtful that many perusing bibliophiles actually managed to make any semblance of sense from these escaped psychological patient’s mental meanderings within the titular character’s metaphorical mind…

Similarly as ‘hit and miss’ as this book’s writing is its artwork by Jacen Burrows. The one-time “Avatar Press” exclusive contractee really does an incredible job for this periodical’s (infuriatingly misleading) cover illustration by depicting the “deadly vigilante” tightly bound beneath the waves and encircled by a school of hungry sharks. Yet, besides the American’s aforementioned dynamically drawn ding-dong on board Bushman’s “death-barge”, seemingly struggles to subsequently bring any real sense of life or animation to the rest of his sketch’s figures, especially those post Spector’s altercation across “a rolling mysterious seascape” and set upon “Isla Ra.”

This article is the opinion of the author and does not represent the views of the site owner.


Reviewed by
For the past forty or so years I have been collecting American comics… To begin with they were predominantly black and white British reprints of “Marvel Comics Group” titles such as “Spider-Man Comics Weekly”, “The Mighty World of Marvel” and “Star Wars Weekly”; all six to ten pence editions I could store away under my bed in a large cardboard box. As a result though I was introduced to the teenage angst of Peter Parker, the discovery of a frozen Captain America by Earth's Mightiest Heroes, witnessed the dreadful rage of Doctor Bruce Banner, and even travelled to a galaxy far far away... Later I would be able to afford actual America colour comic books and supplemented my collection of “Marvel” titles such as “Conan the Barbarian”, “Howard the Duck” and “Captain America” with some “DC Comics” issues of “Batman”, “Green Lantern” and “Captain Carrot and his Amazing Zoo Crew”. There would even be time for Independent publications such as “Wildcats”, “Spawn” and “The Authority”. These days however I must admit to yearning back to the simpler times of Stan Lee and Jack Kirby, back to when both artwork and storylines were straightforward, easy to follow and super-heroes were just starting out on their adventures. A time when no-one had yet to be resurrected from the dead for the fourth time. I've written over seven hundred comic book reviews on my blog over the past few years, with them usually following my latest purchases, all wrapped up in a large brown paper bag, as well as occasional ‘flashbacks’ to some of the classic "Golden Age" issues I already own…

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